Monday, September 7, 2015

x - 26 Louis Sheehan 404

“Looks like everything is correct and that overall, the quite ugly picture of political reality in Russia is outlined with high authenticity.

But why do I have such an unpleasant feeling from what I’ve read?

As the patriots correctly noted, the opinion of the reporter is too contemptuous, which is very close to America’s and Americans’ foreign political views on the outside world.” mark_ars

“This can be a first pebble skipped on the water, just to send out feelers and find a pretext to start a dialogue. Not a dialogue between Bush and Putin, but between our peoples, who are neither dumb nor bright, simply different.” falcon icp








After years of watching President Bush ignore Congress, at best, or disdain it, at worst, there is relief in listening to the British prime minister face questions in Parliament. As seen on C-Span, these events feature literate parries and thrusts, complete sentences, artful arguments, all to a chorus of noisy yeas and brays.

Senator John McCain, the presumed Republican nominee for president, has now promised that if elected, he will bring this hallowed British tradition to America.

This is a daring idea. The public might learn a great deal about its leaders both in the White House and in Congress. Of course, an American question time horrifies some politicians. Some argue that America is different. Congress is not a parliament. Some even contend that the president is elected to lead everybody, not just his or her party — a quaint notion to anyone who has paid attention in the last seven years. Mainly, the politically experienced say the idea is a death wish.

British experts like Peter Riddell of The Times of London suggest that the real problem might not be the president’s inability to answer questions, but getting members of Congress to ask decent ones. British queries tend to be short, fast and bitingly to the point, a skill set not widely available in Washington.

The high-wire displays required in the British Parliament also display a leader’s debating prowess. Or not. Margaret Thatcher was less than a natural but eventually she could show off better than the best of them. Tony Blair played the verbal ping-pong like a professional. Harold Macmillan once confessed that the thought of question time almost made him sick.

If a president did have the gumption to answer Congress face to face, there would certainly be rules. The prime minister’s question time lasts for about 30 minutes on Wednesdays. Some questions are submitted in advance, but the debate is often heated and unpredictable. Fortunately, there are limits. Calling the prime minister a liar (not an unknown event in the House of Commons) can earn a timeout. In Australia recently, one member of Parliament was barred for a day after calling the prime minister’s representative a “chicken man.”

Both sides would have to agree that the goal is exchanging information, openly. That would mean minimal preening, no long-winded questions or answers, and a dose of spontaneity. If that could happen, it would be a boon for democracy, not to mention for YouTube.




Question: Is "First Do No Harm" From the Hippocratic Oath? Myth vs Fact

Answer: A question was raised in the Ancient / Classical History forum:
"Having just read the translation to English of Hippocrates' oath, I was surprised to see that 'first do no harm' did not appear in the text as is commonly quoted. Any idea where the quote comes from?"
You're right, the dictum first do no harm doesn't exactly come from the Hippocratic Oath, but it does come from the Hippocratic Corpus, at least in esssence. A related section from the Hippocratic Oath has been translated as

    I will follow that system of regimen which, according to my ability and judgment, I consider for the benefit of my patients, and abstain from whatever is deleterious and mischievous. I will give no deadly medicine to any one if asked, nor suggest any such counsel; and in like manner I will not give to a woman a pessary to produce abortion. With purity and with holiness I will pass my life and practice my Art. I will not cut persons laboring under the stone, but will leave this to be done by men who are practitioners of this work. Into whatever houses I enter, I will go into them for the benefit of the sick, and will abstain from every voluntary act of mischief and corruption; and, further from the seduction of females or males, of freemen and slaves.

But while not harming the patient is explicit, this section doesn't make doing no harm the first concern of the Hippocratic physician. The Hippocratic writing Epidemics is considered the more likely source:

    5. With regard to the dangers of these cases, one must always attend to the seasonable concoction of all the evacuations, and to the favorable and critical abscesses. The concoctions indicate a speedy crisis and recovery of health; crude and undigested evacuations, and those which are converted into bad abscesses, indicate either want of crisis, or pains, or prolongation of the disease, or death, or relapses; which of these it is to be must be determined from other circumstances. The physician must be able to tell the antecedents, know the present, and foretell the future - must mediate these things, and have two special objects in view with regard to disease, namely, to do good or to do no harm. The art consists in three things - the disease, the patient, and the physician. The physician is the servant of the art, and the patient must combat the disease along with the physician.










When Pure Digital Technologies Inc. introduced its Flip point-and-shoot camcorder a year ago, it dramatically simplified video recording. The Flip measured the size of a small digital still camera, cost less than $150 and its videos could be emailed in one quick process. Consumers gobbled up the tiny, nonintimidating device.

But to the style-conscious set, the Flip looked like a clunky Fisher-Price toy -- especially when compared with a sleek, new iPod or more-sophisticated digital cameras -- and was too thick to comfortably slip into a pocket. Last fall, Pure Digital introduced an enhanced version: the Flip Video Ultra, but its biggest aesthetic difference was new orange, pink and green colors.
See clips of the Mino in action. http://louis5j5sheehan5esquire.blogspot.com






Today, the company will begin sales of its $180 Flip Video Mino (pronounced "minnow"), the hippest offering yet from Pure Digital. This 60-minute Flip includes many firsts for the company: rechargeable batteries; touch-sensitive buttons rather than old-school, push-down buttons; and a thinner build that measures 40% smaller, overall. The Flip Mino is also the first one in the family to enable publishing to MySpace; prior software limited Web-site sharing to YouTube and AOL Video.

I've been using a glossy, black Flip Mino (it also comes in white) for the past two weeks and it looks much cooler than older models. Its newly positioned USB adapter pops up from the top of the camera like something from a Swiss Army Knife. The Mino offers features such as the ability to lock the delete button, so no one accidentally deletes your videos, and mute all camera sounds, so as to record silently during quiet moments like wedding ceremonies or speeches.

I brought it along with me almost everywhere I went because of its small size and light weight, even fitting it into a thin clutch purse with a cellphone and BlackBerry. I used the Mino in various situations ranging from bright, scenic outdoor settings to indoors while eating dinner in a candle-lit restaurant. Overall, I was pleased with the sound and picture quality of the Mino, and I found its built-in software, which automatically starts when the camera plugs into your Mac or Windows PC, to be a pleasure to use.


Today, Pure Digital Technologies introduced its $180 Flip Video Mino, a thinner, more stylish version of its point-and-shoot camcorder.

It took just a few minutes to trim excess footage from my videos before saving them to my computer or sharing them with friends and family. Another way to share videos from the Flip Mino is via Pure Digital's server, which sends emails with embedded video links, saving upload and download time on both ends. Though I didn't publish any of my videos on a public Web site, AOL, MySpace and YouTube were just one step away.

The Flip Mino's touch buttons, while stylish, were difficult to use at first. I missed the tactile feel of physical buttons as I tried to hold this small video camera and press the zoom buttons using just one hand. The new, touch-sensitive buttons weren't as satisfying and stable to use, and I pressed them accidentally more than a few times. For instance, the Zoom Out button is directly below Record, making it easy to mistakenly touch it. After about a week of using the Mino, I grew more accustomed to using these new touch buttons, but it shouldn't take so long to make the adjustment.

Just looking at the Flip Mino's fresh new exterior makes it hard not to think about the things that this redesigned camcorder is still lacking, like a larger viewing screen (the Mino screen is 1.5 inches, no larger than that of the Flip Ultra), high definition video and wireless sharing capability. These features would likely raise the price and/or tax the battery, and many users of the Flip flock to it for its low price and simplicity. Still, Pure Digital says that it will offer HD video and a larger screen on a product within a year, and is looking into features that might include wireless transferring.

I grew fond of the Mino's rechargeable battery. Whenever I plugged this gadget into my computer to transfer videos, my Mino charged up via USB without me having to think about it. A full charge lasts four hours and recharging a dead battery takes about three hours.

Pure Digital says that the sound quality and lighting are improved in this model. Like previous models, this Flip records in 640x480 pixels at 30 frames per second.

The Mino didn't have a problem with lighting in most situations; indeed it did a nice job of capturing images of my family sitting around a table in a restaurant with little more than candlelight to brighten the picture. It doesn't use a flash or a built-in light, but instead uses automatic sensors to adjust to various levels of light.

This svelte camcorder seemed to handle noise more evenly than I remembered in prior Flip models. It didn't make my voice sound unbearably louder than everyone else's, even though I was closest to the camera's microphone, yet it managed to detect voices across the room. I did have some trouble on a windy day: While recording a quick video of a golf course in San Diego, wind audibly muffled my voice during a few moments in the video.

Along with the delete-lock and sounds-off settings, this Mino has a few other tricks up its sleeve. Each of the touch-sensitive buttons is designed to glow only when usable, so as to better help people who might not know which buttons to press while using this camcorder. For example, only the zoom buttons glow while recording since the other buttons (volume, play/pause and delete) can't function in this setting.

Shortcuts built into each button provide more functions: Holding the play/pause button down will set the playback mode to play all videos on the Mino; holding the seek ahead or seek back buttons while watching a video will fast-forward by seconds within that video; pressing the record button as the camera starts up opens up the settings menu.

In conjunction with the Flip Mino's introduction Wednesday, prices of the former Flip Ultra model will drop to $150 for the 60-minute model. The Flip Ultra 30-minute model will be phased out, as will the Flip Classic, which will cost $130 for a 60-minute unit.

Though the Flip Mino's touch-sensitive buttons look great, they aren't as functional as they needed to be. But if you really want a sleek, hip-looking gadget, you'll learn to adjust to these new buttons. No matter which Flip you choose, Pure Digital's software changes the way people capture and share videos, and that's a great thing.

There's something very English about the way William Hague's eyes light up when he spies crab cakes on the menu at a Midtown Manhattan bistro. Although they've lived with crabs for centuries, the English have still not mastered the art of rendering them as patties, and I've yet to meet a visitor from the scepter'd isle who will not eat a crab cake while stateside -- given half a chance.







Distinctly un-English, however, is the diligence with which he sticks to a single glass of wine through lunch. But if there's one Englishman who can sparkle conversationally without the assistance of alcohol, it is this very charming, very loquacious, very precocious politician -- leader of Britain's Conservative Party at age 36, now its shadow foreign secretary at a relatively creaky 47.

Mr. Hague is in town to promote his book on William Wilberforce, the man who engineered the abolition of the slave trade in 1807. This massive biography -- to be released in the U.S. on June 16 -- is his second, his first being one of William Pitt the Younger, published in 2005. Taken together, the two books amount to almost 1,000 pages of serious text: How does he do it? Where on earth does he find the time?

"Well, I only found the time after I was out of what we might call the front line of politics -- when I resigned as leader of the party in 2001, after losing that election. I remained a Member of Parliament, but suddenly I had a lot of time on my hands, and I decided to do all the things I'd always wanted to do -- and that included earning a lot more money than is normally possible as a politician, and writing a book."

With a New Yorker's vulgarity, I ask if he's made any money off his books. "It's not been anything like the amount I've earned from after-dinner speaking, or my business activities. Let me put it this way: I wouldn't want to live entirely off writing! Although I also took up a weekly newspaper column in the News of the World."

That paper is arguably Britain's lowest-brow tabloid. Is it safe to presume, therefore, that there's no overlap between the readers of his books and those of his columns? "Probably none at all," he says with a chirp. But as a politician, he's used to changing gear: "You handle everything from a constituency surgery, where literally one minute you're dealing with Mrs. Smith's drain -- it needs unblocking and she's come to you to sort it out -- and the next minute you're on the phone dealing with issues of Iranian nuclear weapons."

So why do politicians write biographies? Are they identifying with their subjects, or claiming grandeur by proxy? "A mixture of factors," says Mr. Hague, savoring his crab cake, which is a plump little thing. "In Britain, there's a strong tradition of politicians who have written works of history. Roy Jenkins [a leading Labour MP, later president of the European Commission] is a part of it . . . Winston Churchill was very much a part of it.

"But you make a good point about identifying with one's subject, and in my case that did help start me off with William Pitt the Younger. I really did feel I could be inside his mind, and explain the way he did things and would have looked at things, having been a particularly young politician myself. And Pitt is the ultimate young politician, much more successful than me, having been prime minister at 24." Still there's one way in which Mr. Hague has had more luck than Pitt, who served as PM for 19 years: Pitt never made it to Mr. Hague's current age. "He died at 46," his biographer notes.

Here, as an uxorious aside, Mr. Hague tells me that his wife, Ffion Jenkins, has just finished her own first book, "The Pain and the Privilege," about the women in the life of David Lloyd George, the only Welshman to have served as prime minister. "It's not a scurrilous book; it's about Mrs. Lloyd George and his mistress in parallel for 30 years, and his daughter and mother. As I did to the life of Pitt, my wife brings something to this story, too. She's a native Welsh speaker, and she's married to a politician . . . " A politician who, presumably, does not have a mistress, I interject.

Mr. Hague laughs heartily. "Definitely not! Let me make that very clear! And so, for her, this is a great place to start. The mistress of Lloyd George was his private secretary, and my wife was my private secretary, and private secretary to other cabinet ministers, so she has a triple additional insight into the subject. So when you start writing in an ambitious way, you have to bring something extra to the party."

What drew Mr. Hague to Wilberforce? "Doing Pitt introduced me to the friends of Pitt, and one of the great -- but contrasting -- friends was Wilberforce. Pitt was the ultimate career politician, and Wilberforce the ultimate non-career politician, who never sought high office other than being a member of Parliament. Yet he accomplished -- through his eloquence and his morality -- much more than the vast majority of politicians who have achieved high office."

William Pitt, William Wilberforce. Will his next subject be yet another William? William the Conqueror, perhaps, or William Jefferson Clinton? "No," he says, with jovial emphasis. "I'm not writing now. I've gone back into the front line. I'm too busy. You know, the plan is to help the Conservative Party be elected in the next elections, and then to be in the next Conservative government."

So if all goes according to plan, I observe, he won't be writing a book anytime soon. "Not for a few years! However, I don't see myself as a career politician anymore. This is the nice thing now: Although I've come back into politics, I don't need it. I know I can live without it."

Is that liberating? "Yes! I don't ever want to be the leader of the party, and therefore the PM, in the future. And that allows me to approach politics on a completely different basis. As long as I'm of use to David Cameron [leader of the Conservatives] and my colleagues, I'll take part, but I don't want to be doing it all my life. At some point I'll get back to writing, and the electorate can decide how soon that is. And then . . . to answer your question -- will I do another William? Well, I might do William Pitt the Elder." (Toward the end of lunch, he ventures an interest, also, in Robert Clive and Warren Hastings -- "perhaps the two of them together, as a way of looking at a period of the British Empire in India.")

Who taught Mr. Hague the art of biography? "I had a wonderful lunch with Roy Jenkins," he says, "a few weeks before he died [in January 2003]. And I was very lucky, because he handed down, as it were, the tips for a politician writing a biography. First of all, he said, 'Start tomorrow. . . . You will think you have to get the whole structure of the book ready first. This is nonsense.'

"Roy said, 'Keep the artillery barrage just in front of the infantry,' by which he meant just keep the research ahead of where you are . . . so you're really immersed in whichever part of the person's life you happen to be in. You need to read around the whole subject and have a general view, but trying to understand the detail of your subject's final few weeks at the same time as his early education just won't work. Roy said, 'Just get going!' So I got going."

Mr. Hague reveals that Mr. Jenkins also told him that "the publishers will tell you to write so many words, but the first thing to know is to ignore them completely. If you're enjoying it, it doesn't matter how long the book is. So both my books are twice as long as had been asked for."

Is there anything, I ask Mr. Hague, that he regards as the acme of the biographical form? "Yes, there is," he says quite loudly, as if unable to contain himself. "And through your columns, I want to send the author a message."







He then cites "The Years of Lyndon Johnson," by Robert Caro, a three-volume biography -- so far. "The last volume was 'Master of the Senate,' and to me these are the most magnificent books about politics, of the biographical sort, that I've ever read. Anyone who wants to understand politics needs to read Robert Caro's books."










If you buy a new Windows Vista PC, it comes with a decent built-in Web browser, Internet Explorer 7. If you buy a new Macintosh computer, it comes with a decent built-in Web browser, Safari 3.0. So why would you want or need a different Web browser?

That is the question that Mozilla, the nonprofit organization that makes the leading alternative browser, hopes to answer this month when it releases version 3.0 of its Firefox Web browser. In some tech-industry circles, Firefox already is preferred over Microsoft's Internet Explorer and Apple's Safari, but it still isn't used by most people, and Mozilla is hoping to broaden its appeal.

The new version will be released simultaneously for Windows and the Mac's OS X operating system, as well as for Linux. While each of the three editions will have the visual style of the operating system on which it runs, all three will have the same features.

I've been using prerelease versions of Firefox 3.0 for months, and have recently been testing a near-final version and comparing it closely to IE and to Safari. I have tested it on multiple Windows PCs and Macs, on desktops and laptops, over slow connections and fast ones. I have tried it with well over 100 Web sites.

My verdict is that Firefox 3.0 is the best Web browser out there right now, and that it tops the current versions of both IE and Safari in features, speed and security. It is easy to install and easy to use, even for a mainstream, non-technical user. It can be downloaded, free, at mozilla.com1 by clicking on "Firefox 3 Sneak Peek."

This situation may change. Microsoft is working on a new version of IE, scheduled to be unveiled later this year, with some impressive new features. And Apple is always working on new iterations of Safari, though it is secretive and hasn't disclosed its plans. But for now, in my view, Firefox 3.0 rules on both Windows and Mac.

I couldn't find any significant downsides to Firefox 3.0. Every page I tried rendered properly and rapidly on both platforms. I ran into only one glitch, in a preference setting. That problem appeared on only one of my four test machines and was fixable with the help of Mozilla, albeit via a geeky method.

In the one or two cases where Firefox lacked a feature I thought important, such as the "auto fill" feature in Safari that can quickly fill out an online form, I was able to find an add-on that did the trick from Mozilla's vast library of add-ons, which are written by people all over the world. (One caution: Some existing add-ons won't work with the new version until their authors update them.)

When Firefox first came out, it was the fastest browser, but it lost that title over the years. However, in my tests, this new third version of Firefox regained the speed crown. It beat IE 7 handily on my test Windows computers and edged Safari slightly on my test Macs.

For example, using a new Dell XPS One desktop, I opened identical folders containing the same 16 bookmarks on both IE 7 and Firefox 3.0. IE took 37 seconds to completely display the 16 pages, but the new Firefox did it in just 23 seconds. On a new Apple iMac, I did a similar, but more daunting, test -- opening identical folders containing 24 bookmarks. Safari rendered all of the pages in 36 seconds, but the new Firefox finished the job in 32 seconds.

The latest Firefox has a number of new and improved features. If you type any word or phrase into its address bar, the browser instantly searches your history and bookmarks for a possible match, to save you from typing or combing through your bookmark list.

The whole process of managing bookmarks has been vastly simplified. Every Web address is accompanied by a star icon at the right. To bookmark the site, you just click the star once. No other action is required. To specify where to file the bookmark, you click the star twice. You also can remove bookmarks by clicking the star. And you can tag bookmarks with key words, to make it easier to find them.

There are also smart bookmark folders, which gather your most visited sites, or most recently bookmarked sites, automatically into folders. You also now can more easily back up and restore your bookmarks, complete with tags.

Security is also improved. The old version of Firefox would warn you when a site you were visiting appeared to be a fake, designed to steal your identity. (IE has a similar feature, though Safari doesn't.) But Firefox 3.0 now warns you about sites that are known for trying to plant viruses, spyware and other malicious software on your computer, a warning the other big browsers don't yet provide.

With one click, Firefox 3.0 also provides details about who owns the site you're visiting, and whether it's encrypted, if the site owner has adopted a special type of security certificate.

My bottom line: Even though you already have a built-in browser, Firefox 3.0 can improve your Web experience.


A couple of years ago I received a letter from an American soldier in Iraq. The letter began by saying that, as we’ve all become painfully aware, serving on the front lines is physically exhausting and emotionally debilitating. But the reason for his writing was to tell me that in that hostile and lonely environment, a book I’d written had become a kind of lifeline. As the book is about science — one that traces physicists’ search for nature’s deepest laws — the soldier’s letter might strike you as, well, odd.

But it’s not. Rather, it speaks to the powerful role science can play in giving life context and meaning. At the same time, the soldier’s letter emphasized something I’ve increasingly come to believe: our educational system fails to teach science in a way that allows students to integrate it into their lives.

Allow me a moment to explain.

When we consider the ubiquity of cellphones, iPods, personal computers and the Internet, it’s easy to see how science (and the technology to which it leads) is woven into the fabric of our day-to-day activities. When we benefit from CT scanners, M.R.I. devices, pacemakers and arterial stents, we can immediately appreciate how science affects the quality of our lives. When we assess the state of the world, and identify looming challenges like climate change, global pandemics, security threats and diminishing resources, we don’t hesitate in turning to science to gauge the problems and find solutions. http://louis9j9sheehan9esquire.blogspot.com



And when we look at the wealth of opportunities hovering on the horizon — stem cells, genomic sequencing, personalized medicine, longevity research, nanoscience, brain-machine interface, quantum computers, space technology — we realize how crucial it is to cultivate a general public that can engage with scientific issues; there’s simply no other way that as a society we will be prepared to make informed decisions on a range of issues that will shape the future.

These are the standard — and enormously important — reasons many would give in explaining why science matters.

But here’s the thing. The reason science really matters runs deeper still. Science is a way of life. Science is a perspective. Science is the process that takes us from confusion to understanding in a manner that’s precise, predictive and reliable — a transformation, for those lucky enough to experience it, that is empowering and emotional. To be able to think through and grasp explanations — for everything from why the sky is blue to how life formed on earth — not because they are declared dogma but rather because they reveal patterns confirmed by experiment and observation, is one of the most precious of human experiences.

As a practicing scientist, I know this from my own work and study. But I also know that you don’t have to be a scientist for science to be transformative. I’ve seen children’s eyes light up as I’ve told them about black holes and the Big Bang. I’ve spoken with high school dropouts who’ve stumbled on popular science books about the human genome project, and then returned to school with newfound purpose. And in that letter from Iraq, the soldier told me how learning about relativity and quantum physics in the dusty and dangerous environs of greater Baghdad kept him going because it revealed a deeper reality of which we’re all a part.

It’s striking that science is still widely viewed as merely a subject one studies in the classroom or an isolated body of largely esoteric knowledge that sometimes shows up in the “real” world in the form of technological or medical advances. In reality, science is a language of hope and inspiration, providing discoveries that fire the imagination and instill a sense of connection to our lives and our world.

If science isn’t your strong suit — and for many it’s not — this side of science is something you may have rarely if ever experienced. I’ve spoken with so many people over the years whose encounters with science in school left them thinking of it as cold, distant and intimidating. They happily use the innovations that science makes possible, but feel that the science itself is just not relevant to their lives. What a shame.

Like a life without music, art or literature, a life without science is bereft of something that gives experience a rich and otherwise inaccessible dimension.

It’s one thing to go outside on a crisp, clear night and marvel at a sky full of stars. It’s another to marvel not only at the spectacle but to recognize that those stars are the result of exceedingly ordered conditions 13.7 billion years ago at the moment of the Big Bang. It’s another still to understand how those stars act as nuclear furnaces that supply the universe with carbon, oxygen and nitrogen, the raw material of life as we know it.

And it’s yet another level of experience to realize that those stars account for less than 4 percent of what’s out there — the rest being of an unknown composition, so-called dark matter and energy, which researchers are now vigorously trying to divine.

As every parent knows, children begin life as uninhibited, unabashed explorers of the unknown. From the time we can walk and talk, we want to know what things are and how they work — we begin life as little scientists. But most of us quickly lose our intrinsic scientific passion. And it’s a profound loss.

A great many studies have focused on this problem, identifying important opportunities for improving science education. Recommendations have ranged from increasing the level of training for science teachers to curriculum reforms.

But most of these studies (and their suggestions) avoid an overarching systemic issue: in teaching our students, we continually fail to activate rich opportunities for revealing the breathtaking vistas opened up by science, and instead focus on the need to gain competency with science’s underlying technical details.

In fact, many students I’ve spoken to have little sense of the big questions those technical details collectively try to answer: Where did the universe come from? How did life originate? How does the brain give rise to consciousness? Like a music curriculum that requires its students to practice scales while rarely if ever inspiring them by playing the great masterpieces, this way of teaching science squanders the chance to make students sit up in their chairs and say, “Wow, that’s science?”

In physics, just to give a sense of the raw material that’s available to be leveraged, the most revolutionary of advances have happened in the last 100 years — special relativity, general relativity, quantum mechanics — a symphony of discoveries that changed our conception of reality. More recently, the last 10 years have witnessed an upheaval in our understanding of the universe’s composition, yielding a wholly new prediction for what the cosmos will be like in the far future.

These are paradigm-shaking developments. But rare is the high school class, and rarer still is the middle school class, in which these breakthroughs are introduced. It’s much the same story in classes for biology, chemistry and mathematics.

At the root of this pedagogical approach is a firm belief in the vertical nature of science: you must master A before moving on to B. When A happened a few hundred years ago, it’s a long climb to the modern era. Certainly, when it comes to teaching the technicalities — solving this equation, balancing that reaction, grasping the discrete parts of the cell — the verticality of science is unassailable.

But science is so much more than its technical details. And with careful attention to presentation, cutting-edge insights and discoveries can be clearly and faithfully communicated to students independent of those details; in fact, those insights and discoveries are precisely the ones that can drive a young student to want to learn the details. We rob science education of life when we focus solely on results and seek to train students to solve problems and recite facts without a commensurate emphasis on transporting them out beyond the stars.

Science is the greatest of all adventure stories, one that’s been unfolding for thousands of years as we have sought to understand ourselves and our surroundings. Science needs to be taught to the young and communicated to the mature in a manner that captures this drama. We must embark on a cultural shift that places science in its rightful place alongside music, art and literature as an indispensable part of what makes life worth living. http://louis8j8sheehan8esquire.blogspot.com


It’s the birthright of every child, it’s a necessity for every adult, to look out on the world, as the soldier in Iraq did, and see that the wonder of the cosmos transcends everything that divides us.




How much Robert Vesco stole no one knew for certain. America's Securities and Exchange Commission (SEC) was after him for more than $224m, or more than $1 billion in today's money, which was then the biggest financial fraud in history. But oddly, once the crack teams of lawyers and accountants were on the case, they recovered almost twice as much. And they were still nowhere near the bottom of the schemes that brewed in Mr Vesco's head, behind the pencil moustache, the slicked-back hair and the dark glasses, the very essence of a Hollywood fraudster.

Money being such liquid, transient stuff, it is hardly surprising that financiers should be fugitive. But Mr Vesco capped them all. He was on the run for 35 years, sometimes in a million-dollar yacht eluding the FBI in the blue seas between the Bahamas and Antigua, sometimes in his own Boeing 707, the Silver Phyllis, steaming with a variety of nymphs in the on-board sauna or gyrating in the on-board discotheque. He became Tom Adams, a Canadian with four bodyguards and several addresses, and sported a dyed beard. Meetings with Arthur Herzog, his biographer, were held in the dark; once, Mr Vesco kept his back to him. For years only blurred telephoto shots gave proof he was alive. And those were dubious. To some, Mr Vesco's ultimate scam was to suggest that the emaciated man snapped last November in a coffin, with his friends grieving round it, had something to do with him.

A few of the stories about him may have been true. He was said to have poured $60m into the economy of Costa Rica, to which he fled in 1973, propping up single-handedly its ranching, industrial and oil sectors and being kicked out, in 1978, because he wanted to set up a machinegun factory. He was said to have offered Billy Carter, the president's brother, $10m in 1977 to persuade the Carter administration to sell C130 aircraft to Libya (which Mr Vesco could smuggle in on good terms, together with cocaine and Howitzers). Fidel Castro allegedly received a hefty bribe for sheltering him in Cuba after 1982, where he travelled in a convoy of Mercedes from his yachting berth to the golf club.

As long as he had money Mr Vesco was welcome all round the Caribbean, and extradition treaties with America were hastily rewritten to keep him and his dollars in place. But the charges were piling up and the money, after a while, ran out. In 1996 the Cubans sent him to jail for peddling to investors a spurious wonder-drug, Trixolane, as a cure for cancer and AIDS. The conman's patter could run out, too.

Crime, however, was not his whole career. Playing the 1960s markets like a violin was no offence. A clutch of failing machine shops in New Jersey were combined with a Florida public company called Cryogenics to form the dodgy-sounding International Controls Corporation (ICC) and take him public, in 1965, without an SEC filing; by the age of 30, Mr Vesco was a paper millionaire. He perfected the art of the hostile takeover when it was still new, spotting weak companies a mile off and gobbling up shares almost before the victim was aware of it. His buying strategy, sketched out in Magic Marker on flip-charts, was to borrow hugely in order to repay in dollars devalued by inflation, and his sweetest hunting ground became the then unregulated universe of offshore mutual funds.



The quarter-of-a-million dollars he siphoned away at one swoop had originally been invested by thousands of small depositors in Investors Overseas Services (IOS), owned by the arch-scammer Bernie Cornfeld. Mr Vesco, on his hostile takeover of IOS in 1971, immediately began to shift its assets into entities under his control. He meant to set up an independent company somewhere in the Azores, or Morocco, or off Haiti, and do lots of deals with the money; and he wanted to call it RPL, for “Rape, Plunder and Loot”. This may have drawn the SEC's attention.

Under all the oversell, an inferiority complex drove him. His background was poor, Sicilian-American in Detroit, his father a car-worker. He dropped out of school, and fiddled round with bricklaying and gaming parlours before starting to buy companies. On Wall Street his small but ravenous ICC cut no ice with the Lehmans and the Loebs; his rudeness and his loud jackets did not match the mahogany, and he was not invited back.

His chips-on-shoulders and paranoias made him more a potential soulmate of Richard Nixon, and when the SEC charges began to bite in 1972 a cash contribution of $200,000, stuffed in a briefcase, was handed over to the Committee to Re-Elect the President. It didn't work. Nor could Mr Vesco persuade John Mitchell, then attorney-general, to take pity on him. He sometimes interrupted meetings to take calls from him; but whether it was actually Mitchell, no one knew.

Rather than be a fugitive, which was tiring, he wanted to be untouchable. In 1981 or so he tried to buy half of the island of Barbuda, off Antigua, to set up “the Principality of the Sovereign Order of New Aragon”. There, on the vast pink beaches swept by frigate birds and scattered with the wreckage of other people's ships, the Feds could never get a hand on him. And indeed, save for a not-quite-reliable death certificate, they never did.



In 1997, a man's love for Julie Couillard forced him to make a tough decision, choosing to marry her over his successful career as a Hells Angels drug dealer.

It was a decision Stéphane Sirois would later regret. But it also set off a chain of events that  turned him into one of the best witnesses to testify against the Hells Angels in Quebec.

Couillard has caused a storm on Parliament Hill. While recently dating Foreign Affairs Minister Maxime Bernier, the 38-year-old Laval resident drew public attention in August by wearing an eye-catching dress to the ceremony at Rideau Hall where the minister was sworn in. Now questions have been raised about her past relations with men in Quebec's murky underworld.

But there was nothing mysterious about the clear ultimatum Maurice (Mom) Boucher put to Sirois more than a decade ago.

With the biker gang war at its violent peak in 1997, the Hells Angels leader was seeing potential police informants underneath every rock.

So he wanted to be sure Sirois understood he had to make a clear choice between marrying Couillard, who had previously dated a man Boucher suspected was an informant, or continuing his life dealing drugs in Anjou and Tetreauville as a member of the Rockers,  the Hells Angels puppet gang.

Sirois chose Couillard and later came to regret it. But, as he would later testify in court, it was also a choice that ultimately turned his life around. http://ljsheehan.blogspot.com






Sirois's marriage to Couillard lasted only two years before the couple divorced. The marriage seemed doomed from the start. Just hours before the wedding, members of the Rockers gang paid Sirois a visit and claimed he owed the gang $5,000.

Feeling that his life was in ruins, Sirois sunk into a deep depression in 1999 when he suddenly remembered the business card a police investigator gave him just after he married Couillard.

The Wolverine Squad, a collection of elite police investigators from various police forces assembled to target the province's biker gangs, knew Sirois had fallen out of favour with the Rockers by marrying Couillard and they took a chance and approached him about working for them.

"I told them clearly that I was not interested," Sirois would later say during a 2002 trial in reference to the Wolverine Squad's initial approach.

"I was already married and had been on my honeymoon. Two detectives from the Wolverine Squad approached me. I told them no. I kept their card."

Then in 1999, with his life in an mess, Sirois pulled out the business card and contacted Robert Pigeon, the investigator who gave it to him. It was the first step on a path towards becoming an undercover agent and one of the best witnesses used against the Hells Angels during the trials that followed the 2001 roundup of Boucher's monopolistic drug trafficking network. (By the time Sirois first testified Boucher had already been convicted of ordering the deaths of two provincial prison guards.)

Sirois signed a contract to work for the police in June 1999. His mission was to get back into the good graces of the Rockers by offering them his services as a drug dealer. Within months Sirois was given back his Rockers patch while he secretly recorded his conversations with fellow gang members and took careful notes on their activities.

It was Sirois who gathered perhaps the most damaging proof that the Hells Angels's Nomads chapter, run by Boucher, was seeking to kill any members of their rivals in the Rock Machine. While wearing a secret recording device called a bodypack, Sirois recorded a fellow Rocker while they dined at a Montreal sushi restaurant. When Sirois asked what it would take to impress their bosses in the Hells Angels, the Rocker revealed the biker gang was willing to pay up to $100,000 to kill off a full-fledged member of the rival gang.

Sirois would say in 2002, he rejoined the Rockers with trepidation because of Couillard. André Chouinard was the first Rocker to return Sirois's calls after he and Couillard split. Sirois testified that he felt it was necessary to clear the air about Couillard. He said he had confided a lot to her during their brief marriage and heard that she might have  betrayed those confidences as their relationship fell apart.

"The contact went well. (Chouinard) made small talk at first. After that we got on to important subjects," Sirois said.

"The important subject, firstly, was about the person I had married. There were stories she had told certain people in the milieu. I wanted to see how they had been perceived. (The Rockers) told me to forget about them. They were the stories of a slut."

"I asked André Chouinard questions about that subject in particular for several minutes. I also told him I wanted to go back to work. I wanted to go back to the (Rockers). When I married (Couillard) they told me I didn't have the right to work."

When Sirois testified at a later trial in 2003 he elaborated more on what he told Couillard when they were married. He alleged that Boucher was so suspicious of Couillard he once had a contract out on her. Sirois said Couillard went around asking people tied to the Hells Angels if this was true. 

Boucher's problem with Couillard apparently had to do with the fact she had previously dated Gilles Giguère, a close associate of Robert Savard, a notorious loanshark who operated in Montreal with Boucher's blessing.

Giguère was shot to death in April 1996 and his body was left in a ditch next to a road in L'Épiphanie. Although the slaying remains unsolved the Sûreté du Québec has long believed Giguère was killed by someone he knew.

In 1995, Giguère, Savard and lawyer Gilles Daudelin were arrested along with Couillard after the Wolverine Squad investigated alleged threats and the attempted extortion of a Montreal real estate agent.

Couillard was quickly released without being charged and reportedly filed a complaint to the provincial police ethics commissioner. According to a representative at the commissioner's office the complaint never made it to the hearing stage.

The charges against Savard, Giguère and Daudelin in the extortion case were eventually dropped. But Giguère was still in trouble.

It was later revealed in court that the Hells Angels thought Giguère turned informant while he was facing a possible trial for illegally possessing firearms and marijuana.

Sirois testified that when he started dating Couillard, shortly after Giguère's death, the relationship clearly bothered the Hells Angels. Eventually the issue was brought to Boucher.

"The choice was imposed on me by Maurice (Mom) Boucher," Sirois said during a 2002 trial. http://louis1j1sheehan1esquire2.blogspot.com





The choice meant Sirois had to turn over his drug trafficking business to another Rocker. By his own estimate, Sirois was making between $8,000 and $12,000 in profits per month selling cocaine and marijuana for the Rockers.















The movie title: "Another Harvest Moon."

The movie plot: Four elderly friends living in a nursing home struggle with the issues of quality of life versus quantity of life after one of the characters suffers a series of strokes.

The cast: Academy Award winner Ernest Borgnine, Doris Roberts, Anne Meara, Piper Laurie and Cybill Shepherd.

The location: Harrisburg State Hospital.

An action-packed summer blockbuster in the making? Hardly.

"There's not going to be a boat chase on the Susquehanna or any skydiving," said Camp Hill native Greg Swartz, the director, who on Tuesday stood before a two-story brick building being primed for shooting. "This film sinks or swims on this cast more than anything else."

"Another Harvest Moon," to be filmed starting Monday, joins the growing roster of films being shot in Pennsylvania as movie producers take advantage of friendly tax laws.

In July, state legislators approved a tax credit for productions spending 60 percent of their budgets in-state. Those productions are eligible for a 25 percent refund.

"All of us that are doing this are really trying to bring films to where we're from," Swartz said. "This area is underrepresented in film. There are stories to be told here."

"Another Harvest Moon" is not the first movie to be shot on the former state hospital grounds. The 1999 film, "Girl, Interrupted," which starred Angelina Jolie, Winona Ryder, Clea DuVall and Whoopi Goldberg, was filmed there. Jolie won an Academy Award for best supporting actress for her role.

This current production features a more experienced cast.

Borgnine, 91, has a lifetime of film and TV work that includes an Academy Award for his 1955 portrayal of the title character in "Marty."





Spending time in Russia is a bit like taking the psychotropic anti-malarial drug Lariam: anyone with a propensity to anxiety should probably avoid it. Jonathan Dimbleby, an accomplished British broadcaster, was by his frank admission in a state of considerable emotional turmoil when he travelled from the Arctic city of Murmansk to Vladivostok. The overwhelming landscape and the people who were often so rude did not help his mood, but his responses—awe, horror and frustration—were perhaps more acute as a result.

The ugly authoritarianism of Vladimir Putin's Kremlin and Russia's hydrocarbon-fuelled diplomatic bolshiness are now well documented. There are fewer worthwhile accounts of ordinary life across the vast, eccentric Russian continent in the Putin era. Mr Dimbleby's perceptive travelogue is one of them. He describes the spookiness of St Petersburg; the micro-cultures (and pointy shoes) of the Caucasus; the desolation of Beslan; the magic of Tolstoy's country estate; the ludicrously dangerous roads and dreadful hotels. He captures the way Russians are transformed by toasts, the romance of long-distance train rides and the squalor of train stations. He encounters a Karelian witch, a Siberian shaman and wild horses in the Altai mountains. He visits a plush Moscow banya. He drinks a lot of vodka.

Along the way he offers lively summaries of some of the key dramas of Russian history, including the exploration of Siberia, the tragic nobility of the Decembrists and the unspeakable siege of Leningrad. He meets the kind of near-saints that only places with so much bad history can produce: suicidally brave journalists in Samara; campaigning environmentalists in the Urals; a heroic AIDS worker in Irkutsk. They vary what might otherwise have become a dismal ....







Louis Sheehan

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